Late Roman Workshops of Beit Nattif Figurines: Petrography, Typology, and Style
In 1936, Dimitri Baramki published an assemblage of oil lamps and figurines that he had excavated in two cisterns at Beit Nattif in southern Judaea. This rich assemblage, which was waste material from a workshop, was the starting point to characterize a Beit Nattif style. This article discusses late...
| Authors: | ; |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
The University of Chicago Press
2016
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| In: |
Bulletin of ASOR
Year: 2016, Issue: 376, Pages: 151-168 |
| RelBib Classification: | HH Archaeology KBL Near East and North Africa TD Late Antiquity |
| Further subjects: | B
Judaea
B Petrology B Novel B Petrography B TYPOLOGY (Psychology) B terra-cotta figurines B Cisterns B BARAMKI, Dimitri B Figurines |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a In 1936, Dimitri Baramki published an assemblage of oil lamps and figurines that he had excavated in two cisterns at Beit Nattif in southern Judaea. This rich assemblage, which was waste material from a workshop, was the starting point to characterize a Beit Nattif style. This article discusses late Roman figurines from Beit Nattif and figurines from other places in the Beit Nattif style, which were petrographically analyzed for the first time. In total, 35 samples were taken, and the clay used to make the products found in the cisterns was identified. Additionally, Beit Nattif-style figurines from other excavations were analyzed. While some of these were made of clay from the Taqiye Formation, others originated from different sources. Since a number of the Beit Nattif-style figurines are also stylistically slightly different from the material from the cisterns in Beit Nattif, it is clear that there were several workshops in southern Judaea producing figurines in the Beit Nattif style. It is also argued, however, that Beit Nattif was a center for production, as figurines from there made their way to the north, even as far as Megiddo. | ||
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