Sing Us the Songs of Zion: Land, Culture, and Resistance in Psalm 137, 12 Years a Slave, and Cedar Man
This article reads Psalm 137 in light of colonial appropriation of land and culture, contextualizing the violence of verses 8 and 9 as a response to exile and as a method of protecting Judean cultural practices. Two modern art pieces serve as points of comparison: Steve McQueen’s film 12 Years a Sla...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2018
|
| Dans: |
Horizons in biblical theology
Année: 2018, Volume: 40, Numéro: 1, Pages: 1-16 |
| Sujets non-standardisés: | B
The Book of Psalms
exile
violence
cultural appropriation
land appropriation
colonialism
|
| Accès en ligne: |
Volltext (lizenzpflichtig) |
| Édition parallèle: | Non-électronique
|
| Résumé: | This article reads Psalm 137 in light of colonial appropriation of land and culture, contextualizing the violence of verses 8 and 9 as a response to exile and as a method of protecting Judean cultural practices. Two modern art pieces serve as points of comparison: Steve McQueen’s film 12 Years a Slave, and Joe David’s totem pole Cedar Man. The article concludes by considering how the violent language of Psalm 137 may guide contemporary ethical reflection. |
|---|---|
| ISSN: | 1871-2207 |
| Contient: | Enthalten in: Horizons in biblical theology
|
| Persistent identifiers: | DOI: 10.1163/18712207-12341363 |