Sing Us the Songs of Zion: Land, Culture, and Resistance in Psalm 137, 12 Years a Slave, and Cedar Man
This article reads Psalm 137 in light of colonial appropriation of land and culture, contextualizing the violence of verses 8 and 9 as a response to exile and as a method of protecting Judean cultural practices. Two modern art pieces serve as points of comparison: Steve McQueen’s film 12 Years a Sla...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Brill
2018
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| In: |
Horizons in biblical theology
Year: 2018, Volume: 40, Issue: 1, Pages: 1-16 |
| Further subjects: | B
The Book of Psalms
exile
violence
cultural appropriation
land appropriation
colonialism
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| Online Access: |
Volltext (lizenzpflichtig) |
| Parallel Edition: | Non-electronic
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| 520 | |a This article reads Psalm 137 in light of colonial appropriation of land and culture, contextualizing the violence of verses 8 and 9 as a response to exile and as a method of protecting Judean cultural practices. Two modern art pieces serve as points of comparison: Steve McQueen’s film 12 Years a Slave, and Joe David’s totem pole Cedar Man. The article concludes by considering how the violent language of Psalm 137 may guide contemporary ethical reflection. | ||
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