Money, Religion, and Symbolic Exchange in "Winter Sleep"

Winter Sleep is the latest film from Nuri Bilge Ceylan, a Turkish director and screenwriter who has received international acclaim. For the purpose of social and cultural analysis, this article critically focuses on the film's key themes and maneuvers that have diagnostic value from a social th...

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Détails bibliographiques
Auteur principal: Diken, Bülent 1964- (Auteur)
Type de support: Électronique Review
Langue:Anglais
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Publié: Berghahn [2017]
Dans: Religion and society
Année: 2017, Volume: 8, Numéro: 1, Pages: 94-108
Compte rendu de:Winter Sleep (2014) (Diken, Bülent)
Sujets / Chaînes de mots-clés standardisés:B Kış Uykusu / Capitalisme (Motif) / Religion (Motif) / Interactionnisme symbolique
Sujets non-standardisés:B symbolic exchange
B Money
B Debt
B Nuri Bilge Ceylan
B Compte-rendu de lecture
B mediocrity
B Religion
B Guilt
B Capitalism
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Résumé:Winter Sleep is the latest film from Nuri Bilge Ceylan, a Turkish director and screenwriter who has received international acclaim. For the purpose of social and cultural analysis, this article critically focuses on the film's key themes and maneuvers that have diagnostic value from a social theoretical viewpoint. These themes are religion, the relationship between religion and capitalism, and symbolic exchange. Organized around these topics, the article examines the religion-capitalism-symbolic exchange nexus by analyzing the motifs of formation, intervention, and intelligibility as these themes arise. This site of intersection is the conceptual pivot around which the article configures itself. It explores Winter Sleep based on what the film shows and says on screen, how its thought processes emerge, and at what points this thought supports or conflicts with dominant societal opinions.
Description:Rezension des Kinofilms "Winter Sleep" (Originaltitel: Kış Uykusu) aus dem Jahr 2014
ISSN:2150-9301
Contient:Enthalten in: Religion and society
Persistent identifiers:DOI: 10.3167/arrs.2017.080106