Fixing Ground Zero: Race and Religion in Francis Lawrence’s I Am Legend
Francis Lawrence’s I Am Legend is a complex intertext of Matheson’s novel of the same name and its two previous film adaptations. While the film attempts to depict racism as monstrous, the frequent invocation of 9/11 imagery and Christian symbolism throughout the film recodes the vampiric dark-seeke...
| Publié dans: | The journal of religion and film |
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| Auteur principal: | |
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
2017
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| Dans: |
The journal of religion and film
Année: 2017, Volume: 21, Numéro: 2, Pages: 1-27 |
| Sujets non-standardisés: | B
Francis Lawrence
I Am Legend
The Omega Man
Christianity
Islam
Islamophobia
Crusades
Bush
11 / 9
Vampires
Monsters
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| Accès en ligne: |
Volltext (kostenfrei) |
| Résumé: | Francis Lawrence’s I Am Legend is a complex intertext of Matheson’s novel of the same name and its two previous film adaptations. While the film attempts to depict racism as monstrous, the frequent invocation of 9/11 imagery and Christian symbolism throughout the film recodes the vampiric dark-seekers as radical Islamic terrorists. This serves to further enshrine an us/Christians vs. them/Muslim dichotomy present in post-9/11 America, a dichotomy that the film presents as “curable” through the spread of Christianity and the fall of Islam. |
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| ISSN: | 1092-1311 |
| Contient: | Enthalten in: The journal of religion and film
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