The Crimes of Love. The (Un)Censored Version of the Flood Story in Noah (2014)
A swift survey of Noah reviews clearly shows that the audience’s sensitivity was challenged in several regards; Noah was portrayed as a “religious extremist” and “borderline psychopath”, the Creator proved to be a “distant - unaware or uncaring - overseer”, while Aronofsky himself was said to have a...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
2016
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| Dans: |
The journal of religion and film
Année: 2016, Volume: 20, Numéro: 3, Pages: 1-32 |
| Sujets non-standardisés: | B
Aronofsky
Noah
Ham
Naamah
fallen angels
Bible
apocrypha
pseudepigrapha
midrash
exegesis
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| Accès en ligne: |
Volltext (kostenfrei) |