Iranian Women, Iranian Cinema: Negotiating with Ideology and Tradition
Throughout the ruptures of Iran’s history, Iranian women have been at the core of any social and political changes and challenges. In this historical context, Iranian women’s body, sexuality, and individuality have been confined within the constitution of religion and tradition. In recent years, how...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
2015
|
| In: |
The journal of religion and film
Year: 2015, Volume: 19, Issue: 1, Pages: 1-26 |
| Standardized Subjects / Keyword chains: | B
Iran
/ Ideology
/ Traditional society
/ Woman
/ Movie
/ Women motion picture producers and directors
|
| RelBib Classification: | AD Sociology of religion; religious policy BJ Islam KBM Asia ZG Media studies; Digital media; Communication studies |
| Further subjects: | B
Iranian Cinema
Femininity
sexuality
Gender
Modernity
Tradition
|
| Online Access: |
Volltext (Verlag) |
MARC
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| 520 | |a Throughout the ruptures of Iran’s history, Iranian women have been at the core of any social and political changes and challenges. In this historical context, Iranian women’s body, sexuality, and individuality have been confined within the constitution of religion and tradition. In recent years, however, the new generation of Iranian women is negotiating the notions of femininity, sexuality, and modernity in Iran’s society. Along with this negotiation, Iranian cinema, as the visual showcase of Iranian culture and society, has recently represented an unprecedented portrayal of Iranian women on the screen. This portrayal stems from the gender consciousness of Iranian women who are transgressing the boundaries of gender segregation and inequality. This study, therefore, provides an insight into the social and sexual changes of Iranian women’s lives in today’s Iran and analyzes the representation of these changes in Iranian post-revolutionary cinema, especially the recent decade. | ||
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| STA | 0 | 0 | |a Ideology,Political science,Iran,Iran,Iran,Achaemenid Empire,Persian Empire,Sassanid Empire,Sasanid Empire,Persia,Movie,Motion picture producer and director,Motion picture producer and director,Traditional society,Woman,Adult woman,Women,Women,Women in art,Women motion picture producers and directors |
| STB | 0 | 0 | |a Cinéaste,Femme,Femme,Femmes,Femmes,Idéologie,Idées politiques,Société traditionnelle |
| STC | 0 | 0 | |a Estrella de cinema,Ideología,Mujer,Mujer,Mujeres,Realizadores de cinema,Sociedad tradicional |
| STD | 0 | 0 | |a Cineasta,Donna,Donna,Ideologia,Società tradizionale |
| STE | 0 | 0 | |a 女人,女人,女残疾人土,妇女,女子,妇女,女子,意识形态,意缔牢结,意理 |
| STF | 0 | 0 | |a 女人,女人,女殘疾人土,婦女,女子,婦女,女子,意識形態,意締牢結,意理 |
| STG | 0 | 0 | |a Estrela de cinema,Ideologia,Mulher,Mulher,Realizadores de cinema,Sociedade tradicional |
| STH | 0 | 0 | |a Женщина (мотив),Женщина,Идеология,Работник кино (женщина),Создатель фильма,Традиционное общество |
| STI | 0 | 0 | |a Γυναίκα (μοτίβο),Γυναίκα,Ιδεολογία,Κινηματογραφίστρια,Κινηματογραφιστής,Παραδοσιακή κοινωνία |
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