Fidus (1868–1948)

The German painter Hugo Höppener (1868–1948) received the nickname “Fidus” from self-styled prophet Karl Wilhelm Diefenbach (1851–1913), who regarded him as his most trusted disciple. Later, Fidus abandoned Diefenbach for Theosophy, and remained a Theosophist to the end of his days. As he emerged as...

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Détails bibliographiques
Auteur principal: Introvigne, Massimo 1955- (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Brill 2017
Dans: Aries
Année: 2017, Volume: 17, Numéro: 2, Pages: 215-242
Sujets / Chaînes de mots-clés standardisés:B Fidus 1868-1948 / Diefenbach, Karl Wilhelm 1851-1913 / Théosophie / Art / Ésotérisme / Symbolisme / National-socialisme
RelBib Classification:AZ Nouveau mouvement religieux
TK Époque contemporaine
ZC Politique en général
Sujets non-standardisés:B Fidus Hugo Höppener Lebensreform Theosophical Society
Accès en ligne: Volltext (Verlag)
Description
Résumé:The German painter Hugo Höppener (1868–1948) received the nickname “Fidus” from self-styled prophet Karl Wilhelm Diefenbach (1851–1913), who regarded him as his most trusted disciple. Later, Fidus abandoned Diefenbach for Theosophy, and remained a Theosophist to the end of his days. As he emerged as an extremely popular Art Deco artist and illustrator, he sided with the Adyar Theosophical Society against the schism of Rudolf Steiner (1861–1925). After World War I, however, he regarded Nazism as the only hope for Germany, joined the Nazi Party in 1932, and did not protest the Nazi ban of Theosophy in 1937. Esotericism remained a dominant theme of his art, and he never became a regime artist, although his association with Nazism made him an embarrassment for both Theosophists and art critics, and his important role in the history of German art was acknowledged only recently.
ISSN:1570-0593
Contient:In: Aries
Persistent identifiers:DOI: 10.1163/15700593-01702003