The Patronage of the Vizier Mirza Salman
While previously published manuscripts hinted at Mirza Salman's interest in such works, two recently discovered manuscripts better show the full extent of the vizier's patronage. They reveal how his early association with Sultan Ibrahim Mirza had already induced him to emulate his prince i...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
2014
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In: |
Muqarnas
Year: 2014, Volume: 30, Issue: 1, Pages: 213-234 |
Further subjects: | B
Būstān
Mirza Salman
Muhammadi
Sultan-Hosayn Tuni
Shaykh Muhammad
Ibrahim Mirza
Shah Ismaʿil II
ʿAbdullah-i Muzahhib
Muzaffar-ʿAli
Mirza Khan
Silsilat al-dhahab
Salāmān va Absāl
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Online Access: |
Volltext (Verlag) |
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520 | |a While previously published manuscripts hinted at Mirza Salman's interest in such works, two recently discovered manuscripts better show the full extent of the vizier's patronage. They reveal how his early association with Sultan Ibrahim Mirza had already induced him to emulate his prince in commissioning illustrated manuscripts, albeit on a more modest scale—and how he quickly decided to step into the shoes of Ibrahim Mirza and act as a true mirza, as soon as he established his supremacy in the chaotic political arena following Shah Ismaʿil II’s death. He thus commissioned artists from the late prince's library-atelier to prepare a series of manuscripts, the most important of which was a copy of the Būstān in which every illustration reflected a significant episode in the vizier's rapid rise to power. In so doing, he found a suitable accomplice in the person of the artist Muhammadi, who could dazzle him not only with his paintings but with his witty selection of texts and creative imagination for producing multilayered illustrations. | ||
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