Emperors of Ṣūrat and Maʿnī: Jahangir and Shah Jahan as Temporal and Spiritual Rulers
This article begins with a discussion of a more-than-life-sized portrait of Jahangir (r. 1605–27) that is surrounded by verses in twenty-six cartouches. These verses are of special interest because they are the connecting link between a series of “allegorical paintings” made for Jahangir and the new...
| 1. VerfasserIn: | |
|---|---|
| Medienart: | Elektronisch Aufsatz |
| Sprache: | Englisch |
| Verfügbarkeit prüfen: | HBZ Gateway |
| Journals Online & Print: | Lade...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Veröffentlicht: |
Brill
2014
|
| In: |
Muqarnas
Jahr: 2014, Band: 31, Heft: 1, Seiten: 123-149 |
| weitere Schlagwörter: | B
ṣūrat u maʿnī (the temporal and the spiritual world)
Jahangir
Akbar
Shah Jahan
allegorical portraits
legitimation
Abu ’l-Fazl
Akbarnāma
|
| Online Zugang: |
Volltext (Verlag) |
| Zusammenfassung: | This article begins with a discussion of a more-than-life-sized portrait of Jahangir (r. 1605–27) that is surrounded by verses in twenty-six cartouches. These verses are of special interest because they are the connecting link between a series of “allegorical paintings” made for Jahangir and the new concept of sovereignty devised for his father, Akbar, who had ordered the scholar Abuʼl-Fazl to develop a system of legitimization to emancipate him from the endorsement of the chief religious authorities of Islam. The pivotal terms of this new ideology, ṣūrat and maʿnī, are found throughout Abuʼl-Fazl’s Akbarnāma, and they turn up again in the cartouches of Jahangir’s portrait. To understand the meaning of these verses, it is necessary to consider the system of legitimation conceived by Abuʼl-Fazl. The verses then provide valuable information for the interpretation of some portraits of Jahangir and Shah Jahan.
|
|---|---|
| ISSN: | 2211-8993 |
| Enthält: | In: Muqarnas
|
| Persistent identifiers: | DOI: 10.1163/22118993-00311P06 |