“Seeing the World with Fresh Eyes”
In this article, I draw on Gurdjieff’s philosophy to initiate a phenomenology of aesthetic experience, which I define as any intense emotional engagement that one feels in encountering or creating an artistic work, whether a painting, poem, song, dance, sculpture, or something else. To consider how...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Brill
2017
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In: |
Religion and the arts
Year: 2017, Volume: 21, Issue: 1/2, Pages: 150-175 |
Standardized Subjects / Keyword chains: | B
Gurdjieff, Georges I. 1872-1949
/ Bennett, John G. 1897-1974
/ Phenomenology
/ Aesthetics
|
RelBib Classification: | AZ New religious movements |
Further subjects: | B
G. I. Gurdjieff
P. D. Ouspensky
J. G. Bennett
phenomenology
aesthetic experience
art
phenomenology of aesthetics
phenomenology of art
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Online Access: |
Volltext (Verlag) |
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520 | |a In this article, I draw on Gurdjieff’s philosophy to initiate a phenomenology of aesthetic experience, which I define as any intense emotional engagement that one feels in encountering or creating an artistic work, whether a painting, poem, song, dance, sculpture, or something else. To consider how aesthetic experience might be understood in a Gurdjieffian framework, I begin with an overview of phenomenology, emphasizing the phenomenological concepts of lifeworld and natural attitude, about which Gurdjieff said much, though not using phenomenological language. I then discuss Gurdjieff’s “psychology of human beings” as it might be interpreted phenomenologically, emphasizing three major claims: first, that, human beings are “asleep”; second, that they are “machines”; and, third, that they are “three-centered beings.” I draw on the last claim—human “three-centeredness”—to highlight how aesthetic experiences might be interpreted via Gurdjieff’s philosophy. Drawing on accounts from British philosopher and Gurdjieff associate J. G. Bennett, I end by considering how a Gurdjieffian perspective understands the role of the artistic work in contributing to aesthetic experience. | ||
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STA | 0 | 0 | |a Aesthetics,Art,Aesthetics,Phenomenology |
STB | 0 | 0 | |a Esthétique,Esthétique,Phénoménologie |
STC | 0 | 0 | |a Estética,Estética,Fenomenología |
STD | 0 | 0 | |a Estetica,Fenomenologia |
STE | 0 | 0 | |a 现象学,美学 |
STF | 0 | 0 | |a 現象學,美學 |
STG | 0 | 0 | |a Estética,Fenomenologia |
STH | 0 | 0 | |a Феноменология,Эстетика |
STI | 0 | 0 | |a Αισθητική,Φαινομενολογία |
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