APA (7th ed.) Citation

Cernuschi, C. (1996). Artist as Christ/Artist as Criminal: Oskar Kokoschka's Self-Portrait for Der Sturm, Myth, and the Construction of Identity in Vienna 19001. Religion and the arts, 1(3), 94-127. doi:10.1163/156852996X00559

Chicago Style (17th ed.) Citation

Cernuschi, Claude. "Artist as Christ/Artist as Criminal: Oskar Kokoschka's Self-Portrait for Der Sturm, Myth, and the Construction of Identity in Vienna 19001." Religion and the Arts 1, no. 3 (1996): 94-127, https://doi.org/10.1163/156852996X00559.

MLA (8th ed.) Citation

Cernuschi, Claude. "Artist as Christ/Artist as Criminal: Oskar Kokoschka's Self-Portrait for Der Sturm, Myth, and the Construction of Identity in Vienna 19001." Religion and the Arts, vol. 1, no. 3, 1996, pp. 94-127, https://doi.org/10.1163/156852996X00559.