The Scrutinizing Gaze in the Aesthetics of Islamic Visual Cultures: Sight, Insight, and Desire

The subjectivity of the gaze and its engagement with human experience had the capacity to incorporate the body, affect, sensation, and memory, thereby raising the status of the visual arts and architecture into potential sites of knowledge. This essay engages with the subject of the gaze and aesthet...

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Bibliographische Detailangaben
1. VerfasserIn: Necipoğlu, Gülru 1956- (VerfasserIn)
Medienart: Elektronisch Aufsatz
Sprache:Englisch
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Veröffentlicht: Brill 2015
In: Muqarnas
Jahr: 2015, Band: 32, Heft: 1, Seiten: 23-61
weitere Schlagwörter:B Ibn al-Haytham’s optics
 perspective gaze
 contemplative-scrutinizing gaze
 figural representation
 mimetic abstraction
 mirror metaphor
 sight and insight
 cognitive faculties
 perception and aesthetics
 pictorial theory
 East-West cultures of the gaze
 aniconism

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Beschreibung
Zusammenfassung:The subjectivity of the gaze and its engagement with human experience had the capacity to incorporate the body, affect, sensation, and memory, thereby raising the status of the visual arts and architecture into potential sites of knowledge. This essay engages with the subject of the gaze and aesthetic experience by exploring the wonderment of the eye, the embodiment of vision through emotional states and desire, the disembodiment of the eye in introspective vision, and the cognitive capacity of sight to produce insight. Addressing these diverse yet interrelated themes, it considers the modalities of the gaze in new genres of Safavid and Ottoman texts on the arts and architecture, starting with their origin in medieval paradigms of visual perception and artistic creation. These more specialized sixteenth–seventeenth-century Persian and Turkish sources include treatises on the visual arts, album prefaces, biographies of architects, and biographical anthologies of calligraphers and painter-decorators. 

ISSN:2211-8993
Enthält:In: Muqarnas
Persistent identifiers:DOI: 10.1163/22118993-00321P04