A cinematographic fence and ornamental oars: experiencing the sublime in structures of urban public space
I approach the theme of the sublime experience in public urban space from the point of view of a visual artist and from one of a person walking through the city. In this essay a concrete sublime experience in public urban space is analysed through an experimental artistic intervention. In this way k...
| Auteur principal: | |
|---|---|
| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
[publisher not identified]
[2016]
|
| Dans: |
Approaching religion
Année: 2016, Volume: 6, Numéro: 2, Pages: 136-142 |
| Sujets / Chaînes de mots-clés standardisés: | B
Ville
/ Espace public
/ Affichage publicitaire
/ Affiches de cinéma
/ Perception subliminale
|
| RelBib Classification: | AG Vie religieuse |
| Sujets non-standardisés: | B
Intervention
B visual art B Ornement B Public art B Now B Public urban space B Rhetoric B Artistic Research B Negative Now B Sublime experience |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a I approach the theme of the sublime experience in public urban space from the point of view of a visual artist and from one of a person walking through the city. In this essay a concrete sublime experience in public urban space is analysed through an experimental artistic intervention. In this way knowledge is gathered about the relationship between public urban space and its users. I engage in a dialogue with the ancient understanding of the sublime as an effect of elevated, performed language. Features of this rhetoric are adapted on to the visual appearance of public urban space in order to reveal situations that evoke sublime experiences. | ||
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