Clothing sacred scriptures: book art and book religion in Christian, Islamic and Jewish cultures

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The c...

Ausführliche Beschreibung

Gespeichert in:  
Bibliographische Detailangaben
Beteiligte: Ganz, David 1952- (HerausgeberIn) ; Schellewald, Barbara Maria 1952- (HerausgeberIn)
Medienart: Elektronisch Buch
Sprache:Englisch
Deutsch
Verfügbarkeit prüfen: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Veröffentlicht: Berlin Boston De Gruyter [2019]
In: Manuscripta Biblica (Volume 2)
Jahr: 2019
Schriftenreihe/Zeitschrift:Manuscripta Biblica Volume 2
normierte Schlagwort(-folgen):B Christentum / Islam / Illuminierte Handschrift / Geschichte 500-1500
B Judaika / Buchmalerei / Geschichte 500-1500
B Prachteinband / Liturgische Handschrift / Geschichte 500-1500
B Heilige Schrift / Handschrift / Buchgestaltung / Judentum / Christentum / Islam / Geschichte 500-1500
weitere Schlagwörter:B Aufsatzsammlung
B Sacred Books History and criticism
B Aesthetics Religious aspects
B Art and religion
B Book illumination
B Buchreligion
B Religious Literature History and criticism
B Materiality
B Verzierung
B Ornament
B Buchmalerei
B Book religion
B Wesentlichkeit
Online Zugang: Cover
Cover (Verlag)
Vermutlich kostenfreier Zugang
Volltext (lizenzpflichtig)
Parallele Ausgabe:Nicht-Elektronisch
Beschreibung
Zusammenfassung:According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
ISBN:3110558602
Persistent identifiers:DOI: 10.1515/9783110558609