Spirituals and the birth of a black entertainment industry

In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spir...

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Détails bibliographiques
Auteur principal: Graham, Sandra (Auteur)
Type de support: Imprimé Livre
Langue:Anglais
Service de livraison Subito: Commander maintenant.
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Urbana Chicago Springfield University of Illinois Press [2018]
Dans:Année: 2018
Collection/Revue:Music in American life
Sujets / Chaînes de mots-clés standardisés:B USA / Musique afro-américaine / Minstrel shows / Negro spiritual / Jubilee Singers / Histoire 1870-1900
Sujets non-standardisés:B Spirituals (Songs) (United States) 19th century History and criticism
B Minstrel shows History 19th century United States
B Minstrel shows (United States) History 19th century
B African Americans Music History and criticism
B Jubilee Singers
B Spirituals (Songs) History and criticism 19th century United States
Accès en ligne: Table des matières
Quatrième de couverture
Literaturverzeichnis
Description
Résumé:In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they laid the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century
Description:Includes bibliographical references and index
ISBN:025208327X